Books and Articles

Jane Allen, I Lost My Girlish Laughter, ed. and with new introduction by JS (New York: Random House/Vintage, 2019). The Hollywood novel that rocked the film industry in 1938.

Nobody’s Girl Friday: The Women Who Ran Hollywood (New York: Oxford University Press, 2018). The first comprehensive history of women in Golden Age Hollywood.

From Here to Eternity (London: British Film Institute/Palgrave Macmillan, 2015). The definitive production history of the film industry insiders said couldn’t be made.

Fred Zinnemann and the Cinema of Resistance (Jackson: University Press of Mississippi, 2014). An in-depth study of the director who mocked popular auteurism as a gimmick, flouted genre conventions, and made powerful films about women, war, and resistance.

Hollywood and the American Historical Film, ed. (London: Palgrave Macmillan, 2012). With essays by film scholars working in a range of disciplines, including David Culbert, Susan Courtney, David Eldridge, Robert Sklar, and Vera Dika.

Edna Ferber’s Hollywood: American Fictions of Gender, Race, and History, preface by Thomas Schatz (Austin: University of Texas Press, 2009). PROSE Award, Media and Cultural Studies. The story of America’s best selling novelist and the landmark negotiations with Hollywood that put women’s history on screen from 1924 to 1960.

Reconstructing American Historical Cinema From ‘Cimarron’ to ‘Citizen Kane’ (Lexington: University Press of Kentucky, 2006; 2009); International Association of Media Historians’ Prize in Media and History. An archive-based revisionist history covering full range of historical films about US, with extensive chapters on Jezebel (1938), Gone with the Wind (1939), A Star Is Born (1937), Public Enemy (1931), Ramona (1936), and Citizen Kane (1941). 

Women in Hollywood:

“Outgrowing Little Women,” Cineaste (spring 2020).

“Ida Lupino’s America: Just a Big Family of Little Failures,” Cineaste (winter 2019).

” ‘Look at Me When I’m Talking to You’: Laura Ziskin’s Reboot of the Female Producer,” in Cineaste LXIII, no.3 (summer 2018)

“Babylon Revisited,” Cineaste XLIII no. 2 (spring 2018).

“Marsha Hunt: American Girl, Un-American Woman,” Sight & Sound, October 17, 2017.

“The Anatomy of the Prick Flick,” Cineaste (fall 2017): 20-24.

“The Mary C. McCall Years: When a Woman Called the Shots at the Screen Writers Guild,” Written By (Sept-Oct 2017).

“The First Woman President,” Written By: The Magazine of the Writers Guild of America West (June 2017), online exclusive.

“Barbara McLean: Editing, Authorship, and the Equal Right to Be the Best,” Cineaste XLII, no. 2 (spring 2017).

“A Woman at the Center of Hollywood’s Wars: Mary C. McCall, Jr.,” Cineaste XLI, no. 3 (summer 2016): 18-23

“The Past, Present, and Future of Women’s History on Screen: An Interview with Sarah Gavron,” Cineaste XLI, no. 1 (winter 2015): 18-21


Above: McCall lighting up between scripts, 1939.

Selected film reviews:

“Holiday,” Cineaste, summer 2020; “The Heiress,” Cineaste, fall 2019; “Lean on Pete,” Cineaste, fall 2018; “Lion in Winter,” Cineaste, summer 2018; I, Tonya.” Cineaste XLIII, no. 2 (spring 2018); “The Battle of the Sexes,” Cineaste XLIII, no. 1 (winter 2017); “High Noon,” Cineaste XLII, no. 1 (winter 2016): 54-55; “Brief Encounter,”  Cineaste XLI, no. 4 (fall 2016): 53-54; “45 Years,” Cineaste XLI, no. 3 (summer 2016): 46-47; “Suffragette,” Cineaste XLI, no. 1 (winter 2015): 45-46.

New Perspectives on the Hollywood Studio System:

“Children of Lidice: Searches, Shadows, Histories,” in Monica Tempian and Simone Gigliotti, eds., Young Victims of the Nazi Regime: Migration, the Holocaust, and Postwar Displacement299-320 (London: Bloomsbury, 2016).

“The Organization Woman Behind The Man in the Gray Flannel Suit,” Camera Obscura (2012) 27(2 80): 61-91.

“Fred Zinnemann’s Search (1945-48): Reconstructing the Voices of Europe’s Children,” Film History 23:1 (2011): 75-92.

“Classical Hollywood and the Filmic Writing of Interracial History, 1931-1939,” in Mary Beltran and Camilla Fojas (eds.), Mixed Race Hollywood, 23-46 (New York: New York University Press, 2008).

“Jim Crow, Jett Rink, and James Dean: Reconstructing Edna Ferber’s Giant,” American Studies 48:3 (fall 2007): 5-27.

“Hollywood ‘Takes One More Look’: Early Histories of Hollywood and the Fallen Star Biography, 1932-1937,” The Historical Journal of Film, Radio and Television 26:2 (June 2006): 179-201. (All about A Star Is Born, 1937)

“Revisioning Modern American History in the Age of Scarface (1932),” The Historical Journal of Film, Radio and Television 24:4 (2004): 535-563

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